Even more startling is the discovery that the propulsive “No. 3,” which, in fact, was “Space Circus Part I” on Corea’s first high volume fusion disc, Hymn of the Seventh Galaxy, though that version combined electric and acoustic pianos together. The real revelations of Children’s Songs begin, however, with the gentle “No. 1” first appeared on Corea’s classic 1972 debut with Burton, Crystal Silence, while a group version of the same song appeared on the Latin-era Return to Forever’s 1973 Polydor release, Light as a Feather, and two more appeared in group readings on Friends (“No. Corea, who cites Béla Bartók as a major influence, had, throughout his career, written brief miniatures he called “Children’s Songs.” In some ways, Corea’s lyrical but nevertheless rich in structure “Children’s Songs” were his versions of Bartók’s Mikrokosmos series.Ī slower version of “No.
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